skonen_blades: (Default)
The badlands are full of unregulated children. They cry in the night while I patrol the walls of The City. My parents were tested for a full year before they could procreate. I have no allergies, no deformities, no glasses, and no congenital jack-in-the-box surprises waiting for me in old age. I’m thankful for eugenics. I’ve heard horror stories of the times before.

Here on the wall, though, I am haunted by the cries. It’s the middle of the night. Wild families in the badlands kill each other for resources, colicky babies cry out for food that might not ever comes. Short lives out there. Such short lives.

If they present themselves at the gate and submit to testing, they can be accepted and re-educated if they meet the gene reqs. Usually, they fail those tests and can’t meet the requirements genealogically. When we turn them back to the cursed grounds outside, they are shunned by their former tribes as a traitor. It usually only takes a few pathetic days for their bodies to be spotted on the plains before it’s taken and butchered and cooked.

They make villages sometimes but usually they’re not prepared for the weather. I think they’re getting dumber out there, not smarter.

We don’t raid or attack. We have everything we need inside these walls. All we do is hoard and protect.

Homo secundus. Second-wave humans. The next rung on the ladder. We have no racial purity here. Everyone is mixed to give us all a leg up on herd immunity. Mix and mix and mix is our motto. Each one of us is a fifty-flavour milkshake, an orchard of family trees so tangled that we have to leave it up to the central computer to tell us who’s safe to mate with productively.

I’ve been courting Renee. We have our samples on file and we’ve submitted our application for children to the central fertility angel facility. Our fingers are crossed. We’ve been practicing a lot during our long nights together. I’m sure once our controls are removed that we’ll be fruitful.

Until then, though, I patrol the walls during my conscripted security shifts and listen to all the babies in the wild. The thousands of the dirty, unwanted babies in the dark, dying by the hundreds every day. Sometimes I see fertility as a curse. Those poor kids never had a chance.

Our children will be loved. Our children will be perfect.


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skonen_blades: (borg)
I’m starting to think that certain cursed objects choose their owners. Like this watch.

It’s one of those old-school pocket watches. Beautiful and shiny, it has a complicated swirling pattern of engraving on the outside. It’s got little rubies on the numbers. There’s a dedication on the back in something that looks like Sanskrit. I can’t read it.

Probably worth a few grand. If I could sell it.

I stole it from an old lady who was about to throw it into a trashcan fire. She gave me a lot of trouble so I had to hit her until she stopped making noises. I think I killed her.

It seems to sense time like a Geiger counter senses radiation particles. When time’s rushing by, my pocket watch ticks faster. When time’s dragging, I notice it ticking slower. I shouldn’t be able to notice it, right? But I do.

At first, I thought that I had gained a valuable bauble that I could pawn for cash. Now, I’m starting to think that it leaped from the old lady to me in an almost sentient motion of survival. I’m starting to think that maybe it wasn’t my idea to steal the watch from her. Maybe I only thought it was.

I thought that time passed based on your mood but now I know different. There are pockets of slow and fast time that swirl around like convection currents in the ocean. We walk through them constantly. It’s a balanced system so that all the clocks never notice and all we get are vague feelings. We’re too busy swimming through the ocean of time to notice how wet we are.

I’ve tried to sell the watch. The words won’t even leave my mouth. I can’t get into the pawn shops. The watch speeds up time so that I never get to the store before it closes its doors and turns out the lights. It never seems out of place. I leave at ten in the morning for the store less than a block away and by the time I’ve finished having lunch, talking to friends, strolling slowly to drink in the sun or huddling under an awning from the rain, its past closing time for the shops.

It all happens so naturally. If I wasn’t trying desperately to get rid of it, I wouldn’t even notice it.

I do notice the wrinkles and grey hairs on me, though. Whatever else this watch does, it’s stealing time from me. I can see that much. It’s like a time vampire or something.

I’m thinking that maybe that old lady I killed wasn’t so old after all. The only way I’ll be able to get rid of this watch is to throw it off of a bridge or something.

I’m going to do it. First thing tomorrow. Right now I need to get a good night’s sleep.



tags
skonen_blades: (haBUUH)
I

This is the curse of admiral’s mother
Who watches her son sail away.
He stands with a rock for a face on the prow
And is lashed by the sea’s angry spray
Six missions he’s gone and returned to this port
Where his mother still glares out and hates
She cries salty tears like the ocean he sails on
and waits and she waits and she waits.
Six times she has thought of his death on the waves
His yelling while taking on water
She sees him all riddled with bullets and drowning
While sharks slither in to the slaughter
She knew a young boy who resembles that man
Who cried and who spat and who slept
She changed him and taught him and led him and helped him
while time and his ambition crept
From dark timely shadows to age and promote him
And make the man into a leader
An admiral brilliant and cunning and shrewd
And nowadays he did not need her
He stopped by for tea and he left for his war
She’s watching his ship leave the bay
More than an ocean now keeps them apart
She raised him and he went away.

II

This is the curse of the glass blower’s daughter
A copper-haired freckled young girl
A puff from a pipe with hot glass on the end
Had ended her young father’s world.
The kiln held a liquid hot orange, intense
She’d stick the long pipe in and heave
She’d lean from the heat and turn red and she’d lift
And with each sweaty movement she’d grieve
She’d ‘sight’ down the pipe like a glass-blowing sniper
And feel the pipe’s weight in her glove
Bagpipes would split from her lungful of air
And with all of her strength she blew love
Like playing a trumpet with one silent note
With a skin-searing heat that could kill
It ignites both your lungs, just a whiff of this song
Made of grief, melting rock, and of skill
She lived to look down the long length of the pipe
And shape the red lava with breath
A bubble of air in the glass growing larger
A grandchild’s heart cheating death
She sold all her works ‘cept her first broken piece
that was made on the day her dad died
cold tears for his death had hit the hot glass
and shattered the piece open wide
the lesson was clear and she laughed ever since
and her pain was put into her art
her love was her grief and her grief was her glass
and her glass was her still-beating heart

III

This is curse of the garbageman’s niece
Who was orphaned when young by a crash
And shipped to her distant estranged crazy uncle
Who picked up the whole city’s trash
She found a new life in the alleys of others
And toys in what others threw out.
She danced in the junk and sang songs in the trash
Did puppet shows with rotting trout.
She happily stank like her uncle Ovitna
And never knew sadness or fear
Her immune system rocked but her skin was all smeared
With garbage from both far and near
Beneath the thick crust of fish scales and paste
Made from eggplant and old bits of glue
She REEKED with a smile and flounced with a STINK
Made of cabbages, dead cats and poo
Her curse was that she was thought of as a curse
By her uncle for he did not love her
He did not want her there. He did not like to dance.
Now and then he would hit her and shove her.
But for her every day was utopian glee
With her stink and her trash and her toys
She never had friends or kisses or pets
Or schooling or manners or boys.
Her curse was a curse by our standard, not hers
For she lives her days with a smile
She’s laughing there now in the festering trash
And she’s been laughing all of the while.




tags
skonen_blades: (bounder)
I

This is the curse of the carpenter’s widow.
Carved on the trees ‘round her home.
She hacks at the wood with her husband’s old tools
And chips out the shapes of alone.
He never taught her the skills or the heft
Her hands are quite thick now and scarred
Some fingers are missing but she pushes on
She learns as she goes and it’s hard
Chairs that are sculpted right into the trunk
And toys that are carved in relief
Tables and cradles and ladders and shelves
And branches graffitied in grief
There in the forest surrounding her home
Is a slowly expanding new stain
It starts at her door and it grows every year
A furniture store made of pain
They bear bitter fruit that will never be used
It’s the art of this dying old crone
Every tree that she starts on will die without skin
But live on in the shape of alone.

II

This is the curse of the tailor’s young nymph
Or soon to be young fiancée
She works in his store and watches the dresses
Of other brides day after day
Her man serves the rich but is not rich himself
So the wedding won’t be in July.
That’s when the others get married, he says,
In the spring, in the light. It’s a lie.
No we’ll have an October wedding.
To insure we don’t lose too much cash
And we’ll have it at night when the store is closed up
And I’ll wear a violet sash!
She knows that her gown will not be as nice
As the one that she just sold today
Or the day before that or the day before that
or last week, or in June or in May.
Her love is a tailor so she will look good
In the rags from the cutting room floor
In the scraps from the dresses he sells to the rich
and she knows she won’t feel like a whore
like the rich giggling girls dressed in thousands of dollars
of fabric and flowers and jewels
who’s one single talent is sleeping with princes
and being related to fools.
She knows that her dress will be patchwork and that
Her wedding will be quite unique
She wishes she didn’t feel jealous of them
She feels undeserving and weak.

III

This is the curse of the wigmaker’s bitch
The one that he keeps on the side.
She’s rude and she’s huge and she curses like men
She’s a pretty big secret to hide
Almost as big as her heart is despite all her bluster
About her hard life
When the wigmaker comes to her bedroom at night
She sings like a fisherman’s wife.
Wigmakers are, by profession, it’s said,
No good if they are not gay
So the wigmaker’s bitch must be hidden and loved
In the dark, late at night, far away.
He only has one and this one he loves
When he can, when it’s safe, when he’s sure,
He’s queer as a three dollar bill when it’s light
But at night he’s a one man brochure
Of places to see and fun things to do on the island
Of Wigmaker’s Bitch
Of cliffs to jump off of and lakes to go swim in
And restaurants and places to itch.
He leaves with the dawn. She awaits his return.
Her cursing and meanness begin.
Her love for the time he can spare is a curse
And her longing feels almost like sin.






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