skonen_blades: (Default)
A raven’s like a writing desk
Because it’s wearing quills
Feathers dipped in ink take flight
And feast on what one kills

For quills are sharp to stab ideas
And nail them to the pages
Like entomologists pin bugs
To little tiny stages

Define ideas to make them dead
The writing makes them static
The flow of ink can murder thoughts
That rattle in the attic

Nothing ravens like so much
Than feasting on the dead
Inky feather quills are drawn
To what’s inside our head

Writing desks festooned with wings
Can glide and swoop and soar
Until the ink runs dry and then
The desk cries ‘nevermore’

While drinking tea, Mad Hatter, he
Might just have asked in jest
But ask poor Edgar Allen Poe
And that man will attest

Expunging words through feathers dark
From brain to hand to page
Prose and poems, fiction, fact
Of love and glee and rage

Is living through a killing spree
The quill facilitates
Feathers tickle people too
But ink annihilates

The irony of writing is:
This killing of these thoughts
Inspires more to do the same
And puts more ink in pots

For once the dead all leave the head
It just makes room for more
So every artist’s noisy brain
Is just a killing floor.

The pen is stronger than the sword
But when they’re used together
The tool that orders swords to kill
Is lighter than a feather

A group of crows is called a murder
For ravens, an ‘unkindness’
An understatement for what authors
Do with all their slyness:

Immorally, they sneakily
Wreak slaughter in their tales
They massacre each word they write
On quite enormous scales

Ravens are like writing desks
Because creatively
Every piece of writing ever
Is a murder spree

Dead ideas scratched down by quills
Attract more quills to write
Wings of quills to dip their tips
In ink the shade of night

Writing desks are ravenous
The writing that’s produced
Is tempting mental carrion
And every desk’s a roost




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skonen_blades: (Default)
Knifebed trampoline explosion marriage, to the hilt, up to your necklace. Arrested miners near the entrance to the chute before the accident. Every vintage photograph crackling at the edges and there goes every single guess at history. Science passes through the eye of the red, red hurricane into myth. Humans before foragers, foragers become shadows, and the rain is eternal. Guesses become fact and religion takes a foothold in the psyche once again, a reason for safety, a safety for structure. Automatic pencils become miracles. The decaying orbits of satellites the stuff of prophecy.

Projected income. Pavilion card houses. Faith in the invisible. Kicking back in the car after the broken bridge railing but before the water. We’re going to turn every James Bond into the dangling broken jaw of an unloaded stapler. The strata under the firmament will jump an inch. A shrug under every grave and building will make them swap places until there are no snow globes left. Scenario souvenirs. You become a scar. Half coat hanger, half human, all pain. A teabag of consciousness sags hotly in the crucible of your skull. You are a puzzle in the hands of a madman. You cannot be solved but you can be made to work.

Translate these signals into forfeiture. Crumple zone my resignation into a dance. The tap shoes don’t fit and I’m bleeding you don’t need to be a dragon to use binoculars. Adept at regretiture. Arounding the park. Sarring the turn. Flawing the plan with an eggshell’s worth of crack. The tether creates a perfect circle around the post but the gravity is increasing past a comfortable standard. There are no stars left reflecting in the lake. The sky is getting much too close to the earth now. My understanding is flattening into a comic. I am becoming a photograph.

Rebilical cords trail from me like ginger pubic hair in a pornographic version of Brave. I shudder in the coming winter but not from cold. The feathers under my skin are painful alien blades. The goose bumps turn to pimples and then harden into ejector pods. I am the opposite of a snake. I am shedding my insides and keeping my skin. My transformation is not the same as before. I have become all throat. The legs on the side of my glass are cooling but my radio is warming up.

It keeps repeating the same message.

Too long dead. Too long dead. Too long dead.





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skonen_blades: (cocky)
Feathers in her head-dress. That’s what I remember. She shouldn’t have worn them.

They amplified her trembling and advertised her nervousness. I wouldn’t have had any idea otherwise.

I remember the afternoon not long after that I made a sharp point of retribution.

I stood in the sun on the dirt floor of the courtyard, looking down at the red mess soaking into the sand and the twinned furrows leading away from it.

The body had been removed and still I stood staring.

The dogs of the market did the rest. A half-hour of rain and no one would even suspect that someone had been murdered there.

It made me wonder, in the way that all puppets wonder, about the number of men that may have stood exactly where I stood with similar blood on their blades.

No one told. I left the city. I wasn’t able to drown the memory with drink so I turned mercenary.

I can’t name the number of people that I’ve killed since then and still, those shaking feathers are all I see when I close my eyes.



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