skonen_blades: (Default)
The truth can be avoided
Because a soft no
A polite no
A demure no
A polite no
An insinuated no
A non-verbal no
Isn't heard
Or its called ambiguous
Or its called open to interpretation
And a no with backbone
A no clearly stated
Is met with hurt feelings
From guys that aren't jerks Gloria
What are you trying to say
Or worse
The righteous anger that gives moral license to violence
To taking what he wants
There needs to be more middle ground
Entirely from men
Women have made lifetimes out of adaptation
Avoidance of violence becoming eternal
The armor of defusing bombs
With a smile
Like its a joke
And not the scream of a trapped animal



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skonen_blades: (Default)
One aspect of math that small children have trouble with is the concept of zero
They’re told that 2 apples minus two apples equals zero apples
Tell a child that there are zero apples on the table and that child gets confused
Because there’s nothing on the table
There could be zero anything
The idea of there being specifically zero apples or zero bananas doesn’t make sense

It makes me think

Women get involved
In academia
In writing
In medicine
In movies

They get disregarded
They get bullied
They get sexually assaulted.

They
Stop studying
Stop writing
Stop directing
Stop performing

Zero poems
Zero screenplays
Zero Pulitzers
Zero Oscars

There are a lot of zeros on the table



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skonen_blades: (Default)
The hauntedest house of them all that I know
Has close to a few million rooms
Rooms of all sizes and colours and height
In some ways each one is a tomb
A place where a part of a person has died
A graveyard for faith and for trust
A big mausoleum for innocence lost
A morgue where all love is all dust
The ghosts here are varied in age and in height
Theres hair here that's straight and with curls
Varied in race and in culture and wealth
And most of the ghosts here are girls
There's quite a few boys. There's quite a few men.
The ghosts here that haunt do not age
They stay in appearance the day that it happened
Arrested and stopped at that stage
The time when a loved one defiled what they had
Or a person with power to use
Used power horrifically to their own ends
Used power to ruin and abuse
This house is so big. The biggest you've seen.
But it seems that there's always more room
Wings and additions and thousands of stories
It reeks of despair and of doom
It's foundation is secrets. It's walls are so thick
You can't hear the occupants scream
It's soundproof and horribly quiet inside
The house is abominably mean
The house has been present since secrets began
Since shame and since guilt and since fear
Since any coercion for unwanted contact
And many who built it live here
The house is a co-op of victims and people
Who victimized after their own
Innocence was in turn victimized first
The walls, floors and ceilings all groan
The door is unlocked and any who want to
Can leave anytime that they wish
But leaving has consequence. That leaves them hooked.
Like so many ghost minnow fish.
The ghosts here are fractions of people, you see.
Their owners are all still alive.
They act like they're healthy and happy (or try to)
Like nothing inside them has died.
But recently ghosts have leaving in numbers that make the dark realtors blush
The secrets are leaving the mouths of the living and ghosts stampede out in a rush
I hope that the house can be one day destroyed
And empty it's rooms for all time
Or that any who go there stay at most a day
Because we're all finished with lying
The house has no address. It has many names
One name is hashtag me too.
Too many people in this room live there
Statistically horribly true
But if victims all speak and oppressors confess
Then perhaps we can burn the house down
I fear that the house is eternal but hope
That soon it just won't be around
Deep in my heart I'm deep in the house
I live there in silence with crowds
My roommates just weep and our neighbors do too
With none of us crying out loud
So think of that house. It's occupants sad.
Cause each one all thinks they're alone.
But really they live in a commune of care
And speaking can bring them all home.


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skonen_blades: (donthinkso)
What you need is a point of reference. Something to focus on.
When dancers are doing pirouettes, you can see their head whip around to come back and focus on the same spot. This keeps them from getting dizzy. One thing that astronauts need to get used to is that there is no up or down in space. The human brain has a lot of trouble with that. Pilots who can do barrel roll after barrel roll as long as there is a horizon whipping around in their field of vision will lose it and vomit in panic if faced with basic manouvers in space. They need to pick a star or a planet and use that as a point of reference. It's also like a night light. The room can be pitch black but as long as the child can even slightly see the tiny greenish light low to floor plugged into the wall, the monsters will be kept at bay. As long as there's something to focus on, the human mind can cope with almost anything.

Bad people are made. There is a combination of society, surroundings, upbringing and opportunities that collide to form cruel or generous personalities. Why are the bad people in many films ugly? They have become embittered to the world as a result of being victimized by it. That plus being taught that there is no fairness, cruelty wins, trusting results in pain, and hope is worthless except as leverage makes a person into a sociopathic creature. The moral compass points south. It points down.

The three people standing in front of Mary were bad men. They were very ugly. The expensive suits they were wearing could not cover up the evil. These were men that had to pretend to be normal. The tall one in the middle has a glass eye. The one on the right hunched and constantly looked side to side for witnesses in a habitual tic. At least they were smiling. It was the third one that made Mary really scared. He looked directly at her with a dead face. His ugliness came almost entirely from the fact that he looked switched off. There was no emotion playing across his craggy features. He didn't blink.

The restaurant was closed. She had locked the doors. She was the only person there. They had come out of the shadows and into the light like butterfly wings stretching out, drying, becoming what they were meant to be. Three men threatening one woman in the dark.

This wasn't the first time. This was a bad part of town and she was pretty. She didn't recognize these ones. They stepped towards her. She grabbed a knife. They laughed. They kept walking towards her. It was an acient dance as old as predators. As old as the food chain.

Later, lying on the counter and tasting blood, she concentrated on the light on the coffee machine with all of her ability.

Bad people are made.

As long as there's something to focus on, the human mind can cope with almost anything.


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